#TwitterArtExhibit utilizes social media and public engagement to generate income for charities and nonprofit organizations. 100% of our art sale goes directly to a different charity each year. 

Through art, we can change the world."

#TWITTERARTEXHIBIT

CONTRIBUTe
#TWITTERARTEXHIBIT
#TwitterARTEXHIBIT
has generated funds for a library suffering from deep funding cuts to purchase much-needed children’s books, for an abused women’s shelter seeking to improve the lives of the families they serve, and for an arts organization mentoring underprivileged young adults in preparation for careers in the visual arts.
 

PARTICIPATE

Are you an artist that possess a twitter account and you wish to donate your original postcard size art, then simply register at www.twitterart.org

CURATE

Are you a curator, or an artist interested in curating and/or supporting artist-led curatorial initiatives where you live? Host an exhibit.

DONATE

Help our board members to continue their stewardship. Make a one-time donation or commit to once monthly. You select how much.

STEWARDSHIP

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

My #TwitterArtExhibit story

 

In 2009, I read in my local paper in Norway, that the Moss library had gotten its funding cut for new children’s books. Having lots of artist friends from all over the world on Twitter, I got an idea. What if they sent a handpainted postcard, that was then exhibited and sold to raise funds for my library? The postcard was in my mind symbolic of a tweet, and simple and affordable to send. In return, the entries would be exhibited with their name, Twitter handle, city and country. Right from the start, I pictured it as global. How exciting to see work on the wall from Japan, Asia, India, Europe, Africa and the Americas. I made a blog post about the idea that spread like wildfire. For the artists, the only requirement was that it was postcard size, original and signed. There was no theme, required medium, entry fee or strings attached. 100% of the money raised went to the charity. The response was phenomenal! Soon, 260 fantastic cards from 23 countries arrived in my mailbox. A wall was built and sponsored by a local gallery. Things fell into place and the exhibit was a success. From the funds raised the library was able to purchase 221 new children’s books. 

 

In 2011, I was so tired from the gigantic task that I never considered doing it again. But in 2012, another issue came forth in the paper. This time, our city women’s shelter was in danger of closing down due to a lack of funds. I decided to organize another TAE for them.  Again cards arrived in my mailbox from all over the world, this time from 34 countries. The mailman once knocked on my door and asked what was going on. That year, we helped save the shelter and also get all the women currently there a haircut and manicure, the children a bus trip to the zoo in Kristiansand. 

 

At this exhibit, it became clear how the event impacted everyone involved: It connected buyers with artists, artists to other artists, the charity to the community, and TAE had great PR influence to raise awareness to causes in need. News in print, TV, and radio started to cover the event. The inclusiveness also struck a chord. Anyone could participate, amateur and professional alike.

 

After the second exhibit ended, I was contacted by a professional art curator in Los Angeles, Nat George, who said that this was such a good idea that she wanted to partner up and do it for a charity in her city. Alas TAE went global. We formed a board with a clear goal to continue with the event annually. Since then, TAE has grown tremendously, organized for worthy causes in Orlando, New York City, Stratford Upon Avon (UK). This year it was held in Canberra, Australia. In 2019, TAE it will be in Edinburgh, Scotland.

 

TAE is growing. This year, over 1200 artists from 67 countries registered. Online sales and donations now also make it possible to raise larger amounts. Please see this link how to support or participate: 

 

In a world full of difficulty and hardship, TAE brings out the good in social media and brings people together. I always site two quotes by Van Gogh at every opening, which I think summarize TAE perfectly, 

 

“Great things are done by a series of small things brought together.” And, “Love many things, for therein lies the true strength, and whosoever loves much performs much and can accomplish much, and what is done in love is done well.”

 

TAE on Twitter: https://twitter.com/twitrartexhibit

TAE on Instagram: https://www.instagram.com/twitterartexhibit

TAE on Facebook: https://www.facebook.com/twitterartexhibit

TAE website: http://twitterartexhibit.org

 

David Sandum

TAE17 at ArtsHouse, Stratford-upon-Avon, UK

sPONSORSHIP
OPPORTUNITiES
 
become a sponsor

Corporate Sponsorship Opportunities

 

Exhibition Sponsors


Corporations and individuals are invited to sponsor one of our yearly exhibitions.

 

A Program Sponsorship includes:

  • Recognition in all printed materials and on all exhibition signage. Public acknowledgment at the opening ceremony.

  • Recognition in all printed media.

  • Recognition on the Twitter Art Exhibit website, and in emailed invitations and announcements to our mailing lists.

  • Recognition in all press materials.​
     

For more information on becoming a TAE Sponsor, please enter your information in the contact form below.

(Moss, Norway)

TAE Founder 

  • Twitter - Grey Circle

(Worcestershire, UK)

Social Media & Creative Design

  • Twitter - Grey Circle

Cat Salter-Smith

David Sandum

(New York, NY)

Technology, Digital & Operations

  • Twitter - Grey Circle

(Prague,Czech Republic)

Strategic & Business Development Advisor

  • Twitter - Grey Circle

Martin Sebek

Isha Setia-Mader

#TwitterARTEXHIBIT
board members

© 2018  DAVID SANDUM CREATIVE

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